Blog about Art, Poetry and Prose

Blog about Art, Poetry and Prose

Monday, August 26, 2019

15 Paying Creative Nonfiction Markets Now Seeking Submissions


These publications accept creative nonfiction, including personal essays and memoir. Most of these outlets accept other genres also, like fiction and nonfiction. A few also publish translations and artwork. All of them pay writers, from token to pro rates, and are listed in no particular order.

Shenandoah
The magazine publishes poetry, prose, translations, and comics. They are currently open for prose submissions – creative nonfiction (essays, memoirs, etc.) and fiction, including novel excerpts, of up to 8,000 words. The prose editor loves “writing that stretches her imagination and way of thinking, surprises, makes her laugh, moves her, is formally interesting or challenging, defies genre, explores the confusing or uncomfortable, introduces her to new writers, thinks globally, has a distinctive voice, cares about the world, and does not assume white people are literature’s default characters.” Their window for translations and comics is always open. Pay is $100 per 1,000 words of prose up to $500, and $50 per page of comics up to $500. They will read prose until 15 September 2019. Details here.  



American Journal of Nursing 
This nursing journal accepts personal essays. On their guidelines page, click on the Reflections link on the right to download guidelines for that section. They want “personal stories exploring any aspect of nursing, health, or health care. While many are accounts of memorable nursing experiences, we also welcome the patient perspective, as well as that of other health care professionals. … Avoid generalizations and clichés in favor of specific details and real immersion in a place, an event, a moment, a character. Anecdotes meant to illustrate cozy lessons usually aren’t what we’re looking for; we prefer the messiness and ambivalence of real life, the nuance and uncertainty of many of our hardest decisions, the ways we change our minds about things”, according to their guidelines. Essays should be 800-850 words, and they pay $150. Details here.

Westerly 
Apart from creative nonfiction and memoir, this Australian magazine publishes short stories, poetry, essays, and literary criticism. Non-subscribers will be asked to take magazine subscription as part payment for their work. Submission of scholarly articles is accepted year-round. They will accept creative nonfiction of up to 3,500 words, and pay AUD200. The deadline is 31 August 2019. Details here.



West Branch 
This literary magazine publishes creative nonfiction, fiction, poetry, and translations. They will accept up to 30 pages of prose and pay $0.05/word, up to $100. The submission period closes 1 April 2020. Details here.

Colorado Review 
This literary magazine accepts nonfiction year round. They have recently opened the submission period for short fiction and poetry, as well. Online submissions are charged, but there is no fee for mailed submissions. Length guidelines are 15-25 pages for prose, and pay is $200. Details here.

Woods Reader
This is a publication for those who love woodland areas – public preserves, forests, tree farms, etc. They want work pertaining to locations within the US and Canada. They publish personal experience, philosophy, personal opinion, and fiction, educational articles, humor, poetry, destination pieces, book reviews, assigned topics, as well as photographs and illustrations. They usually accept work of 500-1,000 words and occasionally may serialize work, of 2,000-5,000 words. Pay ranges from $25 to $150. Details here.

The Fiddlehead
This Canadian magazine publishes writing in English or translations into English from all over the world and in a variety of styles, including experimental genres. They creative nonfiction – can include personal essays, narrative nonfiction, think pieces, etc. – and fiction, including excerpts from novels, poetry, and artwork. They also publish reviews, and occasionally other selected creative work such as excerpts from plays. They still accept mailed submissions, which are free, and accepted year round. Pay is CAD60 per page. Details here.

Baltimore Review
This magazine publishes fiction, creative nonfiction (of up to 5,000 words), and poetry. The editors detail what they like to see in the writing here. They pay $40 (Amazon gift certificate or PayPal, if preferred) and are reading work up to 30 November 2019. Details here.

Blue Marble Review
They accept work from writers aged 13-21; nonfiction, including personal essays, memoir, opinion, and travel pieces of up to 1,800 words, as well as fiction, poetry, photography, and art. Pay for writers is $25 and they accept work on a rolling basis. Details here.

Ellipsis
This is the annual literary journal published by the students of Westminster College since 1965. They publish creative nonfiction (up to 8,000 words), poetry, short fiction, drama, and art. They are reading until 1 November 2019. They pay $3 per page of prose. They cannot pay international contributors. Details here.

Guernica
They are currently accepting longform nonfiction — essays, memoir, reportage, and interviews of 2,500 – 7,500 words. They are also open for shortform nonfiction — news, reviews, commentary (including op-eds and essays), and Q&As, as well as multimedia pieces and fiction. They provide modest honoraria for longform pieces. Shortform nonfiction is unpaid. Details here.

Ploughshares
This award-winning magazine publishes fiction and nonfiction of up to 6,000 words, and poetry. They greatly prefer to receive work via Submittable, which has a fee, but they also accept postal submissions, which are not charged. Pay is $45 per page, up to $450. Also check out Solos, in which they publish significantly longer work – 7,500-20,000 words – including novel and memoir excerpts. They are reading work until 15 January 2020. Details here.

Notre Dame Magazine
This magazine is published by the University of Notre Dame. The magazine covers alumni activities, institutional events, and people and trends. It also examines a broad spectrum of cultural issues on science and the arts, society and its structures, the spiritual and the human. Because many of its readers are Catholic, the magazine often addresses topics of interest to a Catholic audience. Their CrossCurrents section (formerly called Perspectives) contains three to four essays per issue. Often written in first-person, these pieces are 750 to 1,500 words and deal with a wide array of issues — some topical, some personal, some serious, some light. They also publish feature stories which address a variety of issues appealing to college-educated readers who take an active interest in the contemporary world. Payment is upon publication. Details here.

Kaleidoscope
They publish articles, including memoirs and personal essays on disability, and accept work from writers with and without disabilities. Their guidelines say, “The material chosen for Kaleidoscope challenges and overcomes stereotypical, patronizing, and sentimental attitudes about disability.” They publish poetry, fiction, creative nonfiction and book reviews. Pay is $10-100. Details here.

Reckoning
They want creative nonfiction, fiction and poetry on environmental justice, and welcome writing that is personal. They are currently reading work on urban nature and the environmental challenges of cities. For nonfiction, they prefer work that is more creative than journalistic. They specially want work from Indigenous writers, writers of color, queer and transgender writers, and anyone who has suffered the consequences of society’s systemic disconnect with and mistreatment of the natural world. The pay is $0.06/word for prose, up to 45,000 words. Submissions close on Autumn equinox, in September. Details here.

Written by S. Kalekar

https://www.authorspublish.com/15-paying-creative-nonfiction-markets-now-seeking-submissions/

WEALTH AND HAPPINESS


It is true life revolves around money
Wealth does taste sweeter than honey
But when we look into the society
She is tearing us apart

Maybe wealth brings about self-actualization
She has also brought about an increase in abortion
Young girls carelessly selling away her virginity
To riches, lost her pride in all morality

I see young lad sitting idly on the street
Hopelessly a menace to the society
Indulge in drugs, kidnapping, cultism, and all atrocities
Taking the gun to rob without thinking of its consequences

As does a thief not caught in the act, politicians are guiltless
Billions were stolen daily, yet told us flimsy excuses 
Buy luxury houses, cars, and always traveling on vacation
But easily, they forget that life is but for a short span

Money is as essential to every home undoubtedly
But it should not be to the detriment of the family
Why would a son kill his mother for ritual?
Why would a father give his daughter away to child marriage?

Do not let the reckless need for money
Blurt the sky in your life from the sun
If you really want to find true happiness
Appreciate life and strife to be the best there is

All Rights Reserved © Akan Udofia 2019

Thursday, August 22, 2019

MEETING SOYINKA WAS A LIFE-CHANGING EXPERIENCE – MUJAHYD AMEEN LILO



High-flying Mujahyd Ameen Lilo, the winner of Wole Soyinka International Cultural Exchange (North West), notes that prose takes him to the outside world.

You are on Memorila’s #WednesdayWritersWorld. May we meet you?
Yes. I’m Mujahyd Ameen Lilo, a secondary school student here in Kano. I sometimes write in my pen name Deen Ameen.

You recently won the WSICE award for the North West region. What is the award about?
It’s an essay competition that is part of the Wole Soyinka International Cultural Exchange programs which is organized yearly under the auspices of Zmirage Limited in collaboration with the US-based Global New Haven. It’s designed to coincide with the birthday of the nation’s only Nobel Laureate, Professor Wole Soyinka. It draws participants from all over Nigeria and sometimes even Nigerians schooling outside the country. The students have a chance to chat with Prof Soyinka's live and mentorships session.

What was the title and theme of the entry that won you the award?
The overall theme of the year was ‘Freedom, Justice & Equity: The Children’s Intervention in the Renewal of the Nation’. The essay that qualified me for the grand finale was titled as the theme. However, at the final stage, the theme was changed to ‘Challenges to National Development: Discuss.’

When did you realize that your teeth were cut for writing?
In my early junior secondary school years.

What’s your best writing genre?
It is prose and I believe will remain prose. Even when it comes to reading, I love reading prose most. I like these free tickets to the outside world prose gives me. I love to create worlds.

Why do you write?
Because that’s the best way to get rid of the worlds my imaginations create in my head. I have this wild imagination. Because they are many stories untold.

Aside from the Wole Soyinka award, what other awards have you won?
I have taken first place in the BUK Writers’ Club contest in May 2019 and third place March 2019. I have received an honorable mention in the PeacePanel/ANA Kano Short story contest.

How many published works do you have and where have they been published?
I don’t keep count. I have a poem published in Daily Trust when I was honored with the Poet of the Week, two poems in The Arts Muse Fair when I was chosen as the Poet-Today. I have poems in The Triumph, Tuck magazine, Memorila, Praxis magazine US. I have stories in Insightful Observer, Daily Focus, Triumph, Libretto magazine, and others.

What do you want to become in the next ten years?
I cannot see far into ten years. I’m not a diviner, you see. So I just know it will be better than what I’m today.

If you were to address first time writers who aspire to become like you or better, what will be your advice?
To read more than they write. To be patient.

Many people have acknowledged being your mentors. What is the rationale behind seeking many mentors?
Yes, I have many mentors including a Booker prize judge and most recently I have been mentored by Nobel Laureate Wole Soyinka. I seek many mentors because of their immense importance to my being and writing. When one is busy, you can turn to another. Imagine sighting so many wells of knowledge, will you just relate with one? Haha.

Have you ever benefited financially from writing?
Alhamdulillah, writing has fetched so many things for me. Winning the WSICE, came with books that are worth more than twenty thousand naira. And there is a tablet. Also, my flight to and fro was paid for. The prize for winning the BUK Contest also came with a cash of N7K.

What do you think will become of writers and writing in our climes in years to come?
I’m a son to the late Yusuf Maitama Sule (May his soul rest in peace) in optimism. And besides, with what other young people are doing like Salim Yunusa, Gatawa and co in Poetic Wednesday, Gulani through the ABUFest, and older ones like what BM Dzukogi has been doing at Hill-Top art centre, Wale Okediran with the Ebedi Writer’s Residency and Hadiza Elrufai with YELF, Eriata with PIN, I believe the future is bright.

How can reading culture be encouraged?
It’s saddening to learn that some schools here in Kano don’t teach literature to even art students. How do we expect a wide readership? So literature should be introduced to them. Other examination bodies apart from JAMB should be giving texts to be studied.

Who are your role models?
The emir HRH Muhammad Sunusi II: for his large readership, standing by the truth and his unique self.

Back to the WSICE award, what were the processes like and how did you scale the hurdles?
It’s not that hard or long a process. You just try to make it to the finalists. You will be invited to the state the program holds. There, we had an exchange with Prof Soyinka and a mentoring session with Ondo’s governor and his wife.

What was it like when you met Wole Soyinka in person?
It was more than an honor and privilege. I didn’t just meet him, but I read him my work and presented a gift to him. I also explored his Ijegba forest. We asked him questions, too. It’s was a life-changing experience.